The Innovative Methods of Contemporary Theatre: The Six Characters in Search of an Author as a Model

Authors

DOI:

https://doi.org/10.35516/hum.v51i5.10020

Keywords:

Six Characters in Search of an Author, Luigi Pirandello, Contemporary Theater, Metatheater, Experimental Stage Techniques.

Abstract

Objectives: This study analyzes Six Characters in Search of an Author as a pioneering work in experimental stage techniques and thematic exploration. It examines how the play challenges traditional theatrical norms through audience engagement and metatheatrical elements, addressing complex themes such as illusion versus reality, the relationship between life and art, and the challenges of artistic creation.

Methods: A qualitative approach was used to analyze Six Characters in Search of an Author, focusing on its structure, themes, and innovative techniques. Contextual insights were drawn from literature on Luigi Pirandello and his work, highlighting how the play subverts conventions through audience participation and metatheatricality.

Results: The study finds that Six Characters in Search of an Author uniquely challenges boundaries between reality and fiction. Through metatheatrical devices and interactive elements, the play probes the nature of art and existence, blending styles from commedia dell'arte to teatro grotesco. This approach compels audiences to reconsider assumptions about theatricality and representation.

Conclusion: Six Characters in Search of an Author is a landmark in theater, disrupting traditional conventions and inviting audiences to engage with philosophical questions about art and reality. Its innovative use of audience interaction and metatheatrical techniques reflects an evolution in theatrical form, demonstrating the power of theater to provoke thought and challenge norms.

Downloads

Download data is not yet available.

References

Ben-Zvi, L. (1998). ‘Samuel Beckett’s media plays’, Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett [Preprint]. doi:10.3138/9781442677319-021.

Bergin, T. G., & Oliver, R. W. (1981). Dreams of passion: The theater of Luigi Pirandello. World Literature Today, 55(1), 84. https://doi.org/10.2307/40135684

Bose, R. (1998). Five or six characters in search of Toronto. Canadian Theatre Review, 94, 63–74. https://doi.org/10.3138/ctr.94.016

Crick, O. (2018). ‘Commedia dell’arte masks today: Old forms and new Commedia’, Studies in Costume & Performance, 3(2), 197–210. doi:10.1386/scp.3.2.197_1.

Davies, J., Oliver, R. W., & Ragusa, O. (1983). Dreams of passion: The theater of Luigi Pirandello. The Modern Language Review, 78(1), 200. https://doi.org/10.2307/3728380

Eldridge, L. (1998). Pirandello’s six characters in search of an author: Contemporary issues of theatricality. Studies in Theatre Production, 18(1), 81–102. https://doi.org/10.1080/13575341.1998.10806991

Fisher, J. (1998). ‘An author in search of characters: Pirandello and Commedia dell’arte’, Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett [Preprint]. doi:10.3138/9781442677319-013.

Fletcher, J. (1998). Action and play in Beckett’s theater. Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett. https://doi.org/10.3138/9781442677319-017

Gogolʹ, N. V. (1961). Dead souls (Vol. 2). Penguin.‏

Jernigan, D. K. (2020). Death and the margins of theater in Luigi Pirandello. The Routledge Companion to Death and Literature, 29–41. https://doi.org/10.4324/9781003107040-3

Karimi-Hakak, M. (2013). Six characters of 9/11: A chance encounter with Pirandello’s six characters in search of an author. Ecumenica, 6(2), 57–66. https://doi.org/10.5325/ecumenica.6.2.0057

Kernan, A. (1958). Truth and dramatic mode in the modern theater: Chekhov, Pirandello, and Williams. Modern Drama, 1(2), 101–110. https://doi.org/10.3138/md.1.2.101

Kimmel, L. (1999). ‘Reality and illusion in the work of art’, Human Creation between Reality and Illusion, pp. xi–xxv. doi:10.1007/1-4020-3578-0_1.

Leskosky, R.J. (1988). ‘The illusion of reality and the reality of illusion in animated film’, Semiotics, pp. 460–465. doi:10.5840/cpsem198871.

MacClintock, L., & Bishop, T. (1960). Pirandello and the French theater. Italica, 37(4), 298. https://doi.org/10.2307/477366

May, F. (1964). ‘Three major symbols in four plays by Pirandello’, Modern Drama, 6(4), 378–396. doi:10.3138/md.6.4.378.

Newberry, W. (1967). ‘Luca de Tena, Pirandello, and the Spanish tradition’, Hispania, 50(2), 253. doi:10.2307/337574.

Paolucci, A. (1998). ‘Sicilian themes and the restructured stage: The Dialectic of Fiction and drama in the work of Luigi Pirandello’, Modernism in European Drama: Ibsen, Strindberg, Pirandello, Beckett [Preprint]. doi:10.3138/9781442677319-014.

Pickering, K. (2010). Key concepts in drama and performance. Bloomsbury Publishing.‏

Pirandello, L. (1922). Six characters in search of an author. New York: E. P. Dutton & Co.

Richards, S. (2004). ‘Plays of (ever) changing ireland’, The Cambridge Companion to Twentieth-Century Irish Drama, pp. 1–17. doi:10.1017/ccol0521804000.001.

Richtarik, M. J. (1995). Six characters in search of an author(ity): The Field Day Board of Directors. Acting Between the Lines, 65–111. https://doi.org/10.1093/oso/9780198182474.003.0004

Sendyka, P. (2017). ‘The Bacas and the priests: How old adversaries came together to revive and reinterpret tradition’, Ethnologia Actualis, 17(2), 8–23. doi:10.2478/eas-2018-0001.

Smith, D.L. (2018). ‘Illusion and reality: Transference and psychoanalytic technique’, Approaching Psychoanalysis, 70–78. doi:10.4324/9780429471902-8.

Sogliuzzo, A. R. (1966). The uses of the mask in “The great god brown” and “Six characters in search of an author.” Educational Theatre Journal, 18(3), 224. https://doi.org/10.2307/3204944

Vittorini, D., & Pirandello, L. (1935). The drama of Luigi Pirandello [Preprint]. doi:10.9783/9781512819144.

Wallace, W., & Bishop, T. (1960). Pirandello and the French theater. Comparative Literature, 12(2), 184. https://doi.org/10.2307/1768347

White, K. S. (1961). Pirandello and the French theater by Thomas Bishop (review). Modern Drama, 4(4), 437–439. https://doi.org/10.1353/mdr.1961.0052

Yun, H. (2022). ‘Appropriation of Irish plays and the early Korean realistic plays’, Appropriations of Irish Drama in Modern Korean Nationalist Theatre, pp. 159–217. doi:10.4324/9781003163947-5.

Downloads

Published

2024-11-20

How to Cite

Jameel, A. S., Hakkoosh, . M. H., Jassim, G. A., & Anber, M. M. (2024). The Innovative Methods of Contemporary Theatre: The Six Characters in Search of an Author as a Model. Dirasat: Human and Social Sciences, 51(5), 119–129. https://doi.org/10.35516/hum.v51i5.10020