Aesthetics of Experimentation in Arabic Contemporary Interactive Art

Authors

  • Kareem Mohsen Ali Sameer AlKabi University Of Sumer
  • Ghasaq Hassan Muslim University of Babylon

DOI:

https://doi.org/10.35516/hum.v49i3.1319

Keywords:

Aesthetics, Experimentation, Interactive Art.

Abstract

The study aims to represent aesthetics of experimentation in Arabic Contemporary interactive art. Three models were selected from the Sharjah exhibition (March 30th –July 30th, 2015). The sample was analyzed using analytical descriptive method intentionally. The research reached to a result that: 1. Interactive art was able to transform the experimental action on the level of performance into a collective ritual inspired by the forms of experience from the culture of the daily society. 2.The aesthetic of interactive art stands out through experimentation and as a participatory act, which is constantly transformed because it relies on the pristine and improvisational human experience and improvement. The study concluded with recommendations, proposals and sources.

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Author Biography

Ghasaq Hassan Muslim, University of Babylon

Department of Design, Faculty of Fine Art, University of Babylon, Babylon, Iraq

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Published

2022-06-13

How to Cite

Mohsen Ali Sameer AlKabi, K. ., & Hassan Muslim, G. . (2022). Aesthetics of Experimentation in Arabic Contemporary Interactive Art. Dirasat: Human and Social Sciences, 49(3), 1–9. https://doi.org/10.35516/hum.v49i3.1319

Issue

Section

Articles