The Unity of the Impression and its Technical Components and its Objective Frameworks in Hashim Gharaibeh's "Hmoom Saghira"

Raihan  Almasaeid; Khiratt  Al-Rashoud

doi:10.35516/hum.v49i5.3492

Authors

Raihan Almasaeid Zarqa University, Zarqa, Jordan
Khiratt Al-Rashoud Zarqa University, Zarqa, Jordan

DOI:

https://doi.org/10.35516/hum.v49i5.3492

Keywords:

Impression unity, story, Hmoom Saghira

Abstract

The strategy and idea of this study stem from the research hypothesis on the extent to which anecdotal units are represented, by the overall impression unit and its artistic constituents of personality, attitude, emotion, and space-time. The group is still qualified for critical handling as a landmark in the Jordanian storytelling process, in its ability to build a symbolic and iconic world for the Jordanian countryside and its thinking in the last third of the twentieth century, and its launch, and involving them in the spaces of narrative rhythm: temporal, spatial and humanity, The current trend of social realism, and its monitoring of environmental reality within a historical and civilized moment of the personality of the village society with its intellectual, cultural, economic, social and mythical elements. Therefore, reading the story in this research tends to be an exploratory tour of the components of the story and its elements; To reveal the role of the narrative components in the construction of the literary work and the harmony of its stylistic elements, narrative techniques and artistic elements that the writer invested for achieving unit impression.

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