Arabic Digital Painting

Authors

DOI:

https://doi.org/10.35516/hum.v52i3.6565

Keywords:

Digital Art, Digital Painting, Digital Image.

Abstract

Objectives: Exploring the reasons behind the popularity of digital painting in Arab countries, and the most important digital technologies used. furthermore, Understanding the artistic values in digital painting works. And the most significant issues raised by Arab artists in their digital art works in painting.

Methods: The current research relies on the descriptive-analytical approach, which is characterized by collecting (nine digital artworks) from artists across Arab countries and conducting semi-structured interviews with them.

Results: Arab artist has managed to keep pace with technological and technical developments in digital painting and has produced digital artworks that rival Western works. Moreover, the Arab artist often portrays artistic content in most of their digital works, addressing their realities and issues and expressing their culture. They also utilize various technical tools and software to create more innovative digital paintings.

Conclusions: The Arab artist has fully harnessed digital tools, adapting them to enhance their art. The availability of digital tools, software, and the internet, along with the unique features and capabilities of these digital technologies, has empowered the artist through pioneering this art form and classifying it as contemporary Arab art. Furthermore, the digital paintings created by Arab artists reveal artistic values by depicting the manner in which an object, scene, or artistic condition is represented, as demonstrated through the analysis of their works.

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References

Gupta, S. (2019). The Rise Of Digital Art. International Journal of Research-Granthaalayah, 7(11), 161-164.‏

Krasteva, M. (2016). The Impact of Technology on the Modern Art. New Bulgarian University, Digital Presentation and Preservation of Cultural and Scientific Heritage, 6(2).

Lughi, G. (2014). Digital Media and Contemporary Art. Mimesis Journal. Scritture della performance, 3(2(.

Peterson, A. K. (2005). Introduction to Basic Measures of a Digital Image for Pictorial Collections, Prints & Photographs Division. Washington, DC : Library of Congress.

Philipsen, L. (2012). The Myth of Emancipation through Interaction. On the Relationship between Interactive Dimensions and Emancipating Potentials of Contemporary (Digital) Art. The Nordic Journal of Aesthetics, 23(43).‏

Tao, X. (2016). The Application of Computer Technology in Art Design. In MATEC Web of Conferences (Vol. 63, p. 05012). EDP Sciences.

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Published

2025-02-02

How to Cite

Jaradat , M. A. M., & Al-Hamzeh, K. A. M. (2025). Arabic Digital Painting . Dirasat: Human and Social Sciences, 52(3), 6565. https://doi.org/10.35516/hum.v52i3.6565

Issue

Section

Arts and Design
Received 2024-01-05
Accepted 2024-03-10
Published 2025-02-02