The Use of Artificial Intelligence in Documentary Filmmaking: New Technologies and the Challenges of Visual Storytelling

Authors

DOI:

https://doi.org/10.35516/Hum.2026.12674

Keywords:

Artificial Intelligence, Documentary Filmmaking, New Technologies, Visual Storytelling.

Abstract

Objectives: This study examines the importance of using artificial intelligence (AI) technologies in documentary filmmaking. It also identifies the visual storytelling challenges that are associated with employing AI in the creation and production of documentary films.

Methods: The study adopted a descriptive-analytical approach to analyze a sample of documentary films that used AI technologies to different extents. The first, a short video from the series “Masks and Treasures”, incorporated AI minimally during production. The second, “Hope Is the Last to Die”, was generated entirely using AI.

Results: AI improved both samples, i.e., the partially AI-assisted short documentary and the fully AI-generated film, by enabling the reconstruction of historical scenes, enhancing visual storytelling, and increasing production efficiency. At the same time, outputs often showed reduced emotional nuance and a diminished human expressive quality. This is particularly serious in works addressing sensitive humanitarian themes, where AI use may lower audience engagement.

Conclusions: Artificial intelligence is a revolutionary tool in documentary filmmaking that can potentially transform this art form. Nevertheless, its adoption requires a thoughtful approach that balances technical efficiency with artistic value. Considering machine and human elements. Filmmakers should use AI tools to enhance human creativity and embrace diversity rather than replacing them.

Downloads

Download data is not yet available.

References

Andriasyan, S. (2023). How Artificial Intelligence Is Used in the Film Industry.

https://smartclick.ai/articles/how-artificial-intelligence-is-used-in-the-film-industry/

Al-Crarmel Media Production. (Producer), & Mohammed Sahli (Director). (2024). (Hope Dies Last) [Film]. YouTube. https://youtu.be/os41QPyoGyg?si=CWi-wtPvsPSKZOoz

CGTN Arabic. (2024). Artificial intelligence technology in the documentary film “Masks and Treasures”. CGTN Arabic. https://arabic.cgtn.com/news/2024-02-24/1761314818974015490/index.html

Datta, A, Goswami, R. (2021). The Film Industry Leaps into Artificial Intelligence: Scope and Challenges by the Filmmakers. Rising Threats in Expert Applications and Solutions. Advances in Intelligent Systems and Computing, vol. 1187. Springer, Singapore, 665-670.. https://doi.org/10.1007/978-981-15-6014-9_80

Deck, A. (2024). Documentary filmmakers publish new AI ethics guidelines. Are news broadcasters next.

https://www.niemanlab.org/2024/09/documentary-filmmaker-alliance-sets-ai-ethics-guidelines-a-lesson-for-news-broadcasters/

Fuller, F. (2024). A.I. Tools For Documentary Filmmakers.

https://www.desktop-documentaries.com/ai-for-documentary-filmmakers.html

Ghosh, A. (2023) Artificial Intelligence as an Innovation in the Film Industry. research inspiration, vol. 3, issue 3. 12-16

https://www.researchgate.net/publication/370560855_Artificial_Intelligence_as_an_Innovation_in_the_Film_Industry

Ha, A. (2024, October 13). Director Morgan Neville is steering clear of generative AI after ‘Roadrunner’ backlash. TechCrunch.

https://techcrunch.com/2024/10/13/director-morgan-neville-is-steering-clear-of-generative-ai-after-roadrunner-backlash/?utm_source=chatgpt.com

Jan, A. (2020) MARSHAL MCLUHAN’S TECHNOLOGICAL DETERMINISM THEORY IN THE ARENA OF SOCIAL MEDIA.Theoretical and Practical Research in Economic Fields, [S.l.], v. 11, n. 2, p. 133-137, dec.

https://doi.org/10.14505/tpref.v11.2(22).07.

Karpouzis, K. (2024). Where No Filmmaker Has Gone Before: The Impact of Artificial Intelligence on the Film Industry. Preprints.

https://doi.org/10.20944/preprints202410.2228.v1

Laghmam, M. (2024) Documentary Film and The Politics of Representation. The International Journal of Cross-culture communication and Media Studies, Vol.1. N.2. Pp. 10-20.

https://journals.imist.ma/index.php/CMS/article/view/1093/687

Momot, I.(2022) Artificial Intelligence in Filmmaking Process- Future Scenarios. Bachelor’s thesis, Degree Programme in International Business, JAMK University Of Applied Sciences.

https://www.theseus.fi/bitstream/handle/10024/753638/Thesis_Momot_Irina.pdf

Mutlu, N. G. A. (2020). The future of film-making: Data-driven movie-making techniques. Global Journal of Arts

Education. 10(2). 167–174 https://doi.org/10.18844/gjae.v10i2.4735

Othman, I. (2023). AI Video Editor: A Conceptual Review in Generative Arts. Proceedings of the 3rd International Conference on Creative Multimedia 2023 (ICCM 2023) ,Advances in Social Science, Education and Humanities Research, 16-23.

https://www.atlantis-press.com/article/125994256.pdf

O’falt, C. (2024). Is There an Ethical Path for GenAI in Documentaries?.

https://www.indiewire.com/features/craft/ai-documentary-guidelines-ethical-use-1235048254/

Reddy, S, Ankireddy, P, & Reddy, L. (2022). Artificial Intelligence-Powered State-of-the-Art Visual Effects for

Computer Vision in Animated Films. INTERNATIONAL JOURNAL OF FOOD AND NUTRITIONAL SCIENCES. Vol 11, Iss 9, 3762-3738.

Sahota, N. (2024). The AI Takeover In Cinema: How Movie Studios Use Artificial Intelligence.

https://www.forbes.com/sites/neilsahota/2024/03/08/the-ai-takeover-in-cinema-how-movie-studios-use-artificial-intelligence/

Saleh, Z. (2019) Artificial Intelligence Definition, Ethics and Standards. The British University in Egypt.

https://www.researchgate.net/publication/332548325_Artificial_Intelligence_Definition_Ethics_and_Standards

Shapiro, D. (2023). AI Use Cases in Hollywood: What’s Possible Now and Where It’s Going.

https://dougshapiro.medium.com/ai-use-cases-in-hollywood-362707e899f1

Solberg, S. (2024). AI Filmmaking: The Future of Making Documentaries.

https://www.docfilmacademy.com/blog/ai-filmmaking

Song, Y, Paperno, D, & Gatt, A. (2024) Context-aware Visual Storytelling with Visual Prefix Tuning and Contrastive Learning. International Natural Language Generation Conference, 17th, September 23-27. Pp. 384-401.

https://aclanthology.org/2024.inlg-main.32.pdf

Stryker, C, Kavlakoglu, E. (2024). What is artificial intelligence (AI)?.

https://www.ibm.com/topics/artificial-intelligence

Sun, p. (2024). A Study of Artificial Intelligence in the Production of Film. SHS Web of Conferences 183, 03004, 1-4.

https://doi.org/10.1051/shsconf/202418303004

Szabò, H. (2024) The Impact of Artificial Intelligence on film Criticism: Balancing Advancement and Human Expertise. New Horizons in English Studies, vol. 9/2024. 230-241

https://journals.umcs.pl/nh/article/viewFile/17213/pdf

Townsend, S. (2024). Exploring the Impact of AI on Film Production in 2024.

https://medium.com/@channelasaservice/exploring-the-impact-of-ai-on-film-production-in-2024-f02da745af00

Victor, A, Oberting, IV. (2024) Generative Artificial Intelligence and Copyright in the Film and Media Industry. Washington and Lee Law Review Online, vol.82, issue, 2. 123-279

https://scholarlycommons.law.wlu.edu/cgi/viewcontent.cgi?article=1179&context=wlulr-online

Walsh, S. (2021). Anthony Bourdain doc under fire for using A.I. to mimic the late chef’s voice. Vanity

Fair.

https://www.vanityfair.com/hollywood/2021/07/anthony-bourdain-doc-under-fire-for-using-ai-to-mimic-the-late-chefs-voice.

Downloads

Published

2026-09-01

Issue

Section

Mass Communication

How to Cite

Al-Mugheed, A. T. (2026). The Use of Artificial Intelligence in Documentary Filmmaking: New Technologies and the Challenges of Visual Storytelling. Dirasat: Human and Social Sciences, 53(12), 12674. https://doi.org/10.35516/Hum.2026.12674

Most read articles by the same author(s)