Conceptual Pluralism of Feminist Discourse in Contemporary Ceramics

Rabab  Salman Kadhim; Enas  Malik Abdullah

doi:10.35516/hum.v49i2.1780

Authors

Rabab Salman Kadhim University of Babylon
Enas Malik Abdullah University of Babylon

DOI:

https://doi.org/10.35516/hum.v49i2.1780

Keywords:

Feminist criticism, ceramic discourse, conceptual pluralism, genealogy of gender, Identity, body

Abstract

The present research dealt with the conceptual multiplicity of feminist discourse in contemporary ceramics. The research included four chapters. Their discourse within the analytical methods of social and realistic and cultural, and the goal of the research was to identify (conceptual multiplicity of feminist discourse in contemporary ceramics) and the limits of the research was limited to the study of contemporary feminist discourse (2000 - 2015) quoted from the illustrated models found in foreign sources The second chapter included two topics: the feminist critique and the second one, conceptual approaches in contemporary ceramics, and the third chapter (research procedures) where the research community, the research sample, the descriptive research method and the analysis of the adult research sample (5). The fourth chapter contains the results of the research and conclusions. 1.The woman's body formed an aesthetic consumption model based on social and cultural interpretations of real-life topics through the adoption of a different semantic pattern that allows feminist discourse to be active in contemporary ceramics as in the sample models (1, 4). 2.Invest the female body to show its liberating act rejecting the values of classical based on ceramic discourse as a physical medium to show the internal emotions of the feminist discourse speak in the body language as in the sample (1,2,3,4,5).

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