The Poetics of Familiarization and Difference in “Hamaziyat Hassan Ibn Thabet” Between the Shock of Receiving and the Semiotic Actualization
DOI:
https://doi.org/10.35516/hum.v51i4.1481Keywords:
Familiarity, shock, reception, semiotics, home, woman, wineAbstract
Objectives: This study aimed to explore the manifestations of the impact of the shock of receiving, on the recipients of the Hamziyyaht poem by Hassaan bin Thaabit, both in ancient and modern studies, and then to read the text through a semiotic interpretive approach, in order to explore its deep poetic meanings related to ruins, women, and wine in particular.
Methods: This study relied on the aesthetic theory of reception, in order to investigate the effects of the shock of reception. It also relied on the semiotic approach to interpret the text, by decoding its codes and pursuing its signs, revealing its deep poetic meanings, then exploring the deep structural relationships and the hidden codes implied in the text's parts.
Results: The study revealed the aesthetic distance between the horizon of the text and the horizon of its recipients in ancient and modern Arab criticism and explored the effects that this led to, such as deleting some verses of the poem, relying on news, and referential and inferential fallacies in approaching and interpreting the text.
Conclusions: The study explored that the ruins, in Hamziat Hassan, symbolize the extinction of the pre-Islamic Period, and the defeat of the rejected pre-Islamic religious thought. However, the woman, in contrast to the ruins, symbolizes the victory of the Islamic religion and its control over the hearts of Muslims. Likewise, wine symbolizes the penetration of Islam into the souls of Muslims and the strong influence of faith in their hearts and minds.
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Accepted 2023-09-20
Published 2024-07-30


