The Semiotic Approach and its Application to El-Baroudi’sAnnual Poem (QalladtuJeedAlma’ali)

Omar Abdallah  al-anbar

doi:10.35516/hum.v50i2.4923

Authors

Omar Abdallah al-anbar Department of Arabic language and literature, Isra University, Amman, Jordan https://orcid.org/0000-0002-6139-6200

DOI:

https://doi.org/10.35516/hum.v50i2.4923

Keywords:

Semiotics, El-Baroudi’s annuals, literary analysis

Abstract

Objectives: The theoretical part of this paper explores the pathways of analyzing literary texts using the Semiotic Approach. It discusses the pluralistic nomenclature of the approach, which aims to overcome the challenges of conceptualizing and combining various notions under a single umbrella, relying on vision and formation.

Methods: To uncover the dynamism of Baroudi's poem and its semiotic elements, this paper relies on the perspectives of Western scholars in Semiotics, such as Yuri Lotman. It explores their understanding of the interactive relationship between the fields of semiotics and symbolic codes.

Results: The semiotic analysis of Al-Baroudi's annual poetic text indicates that it exhibits mastery and precision through its reliance on fundamental dichotomies such as "awakening intoxication," intensification, and extensive informativity.

Conclusion: It appears that the research on cinematic codes confirms the dynamism of parody annals through the use of tag spaces to organize them. This reveals the degrees of intensification and revelation. The cinematic analysis of parody annals suggests a tightness that is manifested through their reliance on tag binaries. The most significant ones include "true drunkenness" and "intensification, high media."

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