سيمياء الظل وتمثلاته الدلالية في نماذج من الخطاب الثقافي

leedya rashed abumariam

doi:10.35516/hum.v52i2.6127

Authors

leedya rashed abumariam Department of Arabic Language and Literature, College of Arts and Educational Sciences, Philadelphia University, Jarash, Jordan.

DOI:

https://doi.org/10.35516/hum.v52i2.6127

Keywords:

Shadow, cultural discourse, semiotics..

Abstract

Objectives: The research seeks to clairvoyance of the semantic space of the shadow in different models of cultural discourse, as well as expands in extrapolating the shadow spaces in the Holy Qur'an and its derivative manifestations, by transcending the apparent significance to the suggestive connotations and then turning the signifier into various connotations.

Methods: The research followed the descriptive analytical method. The shadow acquires new meanings through its presentation in a modern poetic model and a novelistic model in an attempt to reveal the manifestations of the shadow in these models using the concepts of semiotics and its methods in analyzing texts.

Results: The research concluded that shadow connotation is animated and evades the characteristic of stability in selected cultural discourse models. In Qur'an, the appearance of shadow is multiplied; its derivations and tools differ. While in poetry, the presence of shadow has changed from the familiar to the revealing psychological equivalent, as it examines the self and its fluctuations and identification with the beloved.

Conclusions: The shadow in the novel tends to a system of semi-philosophical purposes, perhaps the most prominent of which is the overlap of truth with illusion and the struggle of doubts and conjecture in front of the thorny relationship between women and men in particular; masculinity and femininity in general.

Downloads

Download data is not yet available.

References

Al-Abshihi, S. (2011). The Most Interesting in Every Exquisite Art. Dar Al-Fajr.

Ibn Ja'far, Q. (1978). Criticism of Poetry. Cairo: Khanji Library.

Ibn Al-Ahnaf, A. (1954). The Diwan of Abbas ibn Al-Ahnaf. Cairo: Egyptian Bookshop, Cairo.

Ibn Shaddad, A. (2004). The Diwan of Antarah ibn Shaddad. (2nd ed.). Beirut: Dar Al-Ma'arifa.

Ibn Arabi, A. (1999). The Meccan Openings. Beirut: Dar Al-Kutub Al-Ilmiyah.

Amezghou, F. (2007) The Semiotic Method, an article published in the League of Syrian Writers http://www.adabasham.net/show.php?sid=11078

Ibn Manzur, M. (n.d.). Lisan Al-Arab. Beirut: Dar Sader.

Abu Salim, A. (2015). The Philosophy of Shadow and Time in the Novel The Secret of the Sundial. Atheer electronic newspaper, website 1253 Atheer.om/archives, on December 15, 2015.

Abu Sha'ib, Z. (2016). Secret Rain. (1st ed.). Amman: Al-Ahliya Publishing and Distribution House.

Eco, U. (2005). Semiotics and the Philosophy of Language. Beirut: Arab Translation Organization.

Al-Mahali, J. (n.d.). The Explanation of Al-Jalalayn. Riyadh: Modern Riyadh Library.

Al-Jurjani, A. (1991). Secrets of Rhetoric. Cairo: Khanji Library.

Al-Ja'di, N. (1998). The Diwan of Al-Nabighah Al-Ja'di. Beirut: Dar Sader.

Al-Jamal, A. (2019). The Shadow in Sufi Terminology, Islamic Sufism website, May 1.

Al-Hutay'ah (1993). The Diwan of Al-Hutay'ah. Beirut: Dar Al-Kutub Al-Ilmiyah.

Al-Khafaji, A. (2000). The Comprehensive Dictionary of Philosophical Terms in Arabic, English, French, German, Russian, Latin, Arabic, and Greek. (3rd ed.). Madbouli Library.

Khalil, R. (2023). The Literary Week Magazine, Union of Arab Writers, Damascus, issue (1822), Sunday, June 11, 2023, p. 4.

Chandler, D. (2008). The Fundamentals of Semiotics. Beirut: Arab Translation Organization.

Dhiyab, M. (1985). The aesthetics of color in the Arabic poem. Fasl al-Adab wa al-Funun, 5(2), 48.

Rajab, M. (1994). The philosophy of the mirror. (1st ed.). Cairo: Dar al-Maarif.

Radwan, A. (2009). The shadow in the Qur'an: A literary study. Al-Bayan Studies, 11(1), 653.

Saussure, F. (1985). Course in General Linguistics. Tunis: Dar al-Kitab al-Arabi.

Suleiman, B. (2023). The other sidewalk. Afkar Magazine, Jordan, 409, 118.

El-Sherbiny, L. (2003). A dictionary of psychiatric terms. Kuwait Foundation for the Advancement of Science,.

Talo, M. (1961). Painting and color. Damascus: Atlas Library. 58.

Zaahir, F. (1979). Light and color: A scientific and aesthetic study. Beirut: Dar al-Qalam.

Land, B. (1990). Electromagnetism. Al-Mustansiriya University: Ministry of Higher Education.

Azza, K. (1995). Diwan of Ka'b ibn Zuhair. (1st ed.). Beirut: Dar al-Jil.

Al-Amri, R. (2021). Suqia harf collection. Amman: Dar Yafa Scientific for Publishing and Distribution.

Curtis, J. (2007). Introduction to narrative and rhetorical semiotics. Algeria: Dar al-Ikhtilaf Publications.

Al-Kayyal, R. (2011). Light and shadow between the art of poetry and painting. Syria: Ministry of Culture.

Malkawi, S., & Khadoura, K. (2015). The secret of the sundial. Amman: Dar Azamane Publishing.

Arabic Reader Platform. Mklat.com/shadowart, Web.

Mousa, R. (2018). The art of shadow theater in the Ottoman Empire through some of the artistic models preserved in the Victoria and Albert Museum in London. Center for Archaeological Research, University of Mina.

Yazeed, A. (2005). Open meanings: A semiotic approach to the philosophy of the sign. Algeria: Dar al-Ikhtilaf Publications.

Jung, C. (1997). The roots of the ego and the unconscious. Latakia: Dar al-Hiwar.