Suggested Exercises Inspired by Jaques-Dalcroze's Methodology for Teaching Note-Values
DOI:
https://doi.org/10.35516/Hum.2025.8593Keywords:
Child, Jaques-Dalcroze's methodology, eurhythmics, note-valuesAbstract
Objectives: The study aims to explore Émile Jaques-Dalcroze’s approach to rhythmic movement and to present proposed exercises for teaching some rhythmic signs based on Jaques-Dalcroze’s method of rhythmic movement.
Methods: The study employed a descriptive approach (content analysis) based on analyzing and interpreting the theory in a manner that ensures understanding and provides suggestions for its application. Data were collected using sources, references, and illustrative examples. The study sample consisted of proposed exercises for teaching some rhythmic signs according to Émile Jaques-Dalcroze’s method of rhythmic movement.
Results: The study concluded with the proposal of notated and practical exercises for teaching some rhythmic signs according to Jaques-Dalcroze’s method of rhythmic movement, such as the round sign exercise, the white sign exercise, the black sign exercise, and the sign with a point exercise.
Conclusions: The study recommends implementing the proposed exercises based on Émile Jaques-Dalcroze’s method of rhythmic movement, which includes a set of exercises for teaching rhythmic signs. It also emphasizes the importance of using physical movements in the process of musical education.
Downloads
References
Abu Ayyash, Y. (2014). A proposed curriculum for teaching musical rhythm to early primary school students in Jordan (first-third grades) based on the methods of Carl Orff and Emile Jacques Dalcroze. Unpublished master’s thesis, University of Jordan, Amman, Jordan.
Ahmed, M., Badawi, I., Ibrahim, H., & Abdul Aziz, A. (2018). Improving students’ performance in rhythmic solfege through Dalcroze’s topic of speed and slowness. Scientific Journal of Educational and Qualitative Studies and Research, (4), 159-186.
Al Blushi, S. H. (2006). A proposed experimental program for deaf and mute children uses their syllables combined with some rhythmic musical notation. Journal of Arts and Sciences - Studies and Research, 18(2), 191-214.
Al Lou, N. (2008). The most important music education curricula in the world (Episode Three). Journal of Al-Hayat Music, Damascus, (48), 209-228.
Awad, T. (2020). The effectiveness of a proposed program based on Eurhythmic for developing auditory discrimination for children with learning difficulties. Scientific Journal of the Faculty of Early Childhood Education - Mansoura University - Egypt, 6(3), 174-222.
Barghout, S. M. (2017). An innovative way to improve the performance of the beginning student in Eurhythmic course. Journal of Music Arts and Sciences - Faculty of Music Education - Helwan University - Egypt, 36(3), 876-897.
Davidson, A. (2021). Identifying Eurhythmics in Actor Training The viewpoints of time & space. Rythme (Genève. Imprimé), 2021, 11-18.
Ekpo, O. E. (2021). The Eurhythmics of Swange dance of the Tiv people of central Nigeria. Journal of Advance Research in Social Science and Humanities, (12), 7, 01-07.
Haddad, R. (2015). Kodály’s methodology to teach singing and music theory in kindergarten and primary school education. Dirasat: Human and Social Sciences, 42(1), 1145-1154.
Ibrahim, H., Gad, A., Al-Jazzar, D., & Abu Al-Futouh, N. (2021). A proposed program to develop primary school children’s sense of rhythmic units and their time values. Scientific Journal of Educational and Qualitative Studies and Research, (15), 239-256.
Jaques-Dalcroze, É. (1912). The Eurhythmics of Jaques-Dalcroze. London: constable & comany ltd. Digitized by the Internet Archive in 2009 with funding from Boston Library Consortium Member Libraries.
Jaques-Dalcroze, É. (1917). Eurhythmics. 2d and rev. ed. library of wellesley college.
Juntunen, M. L. (2019). Dalcroze Eurhythmics – a method, an approach, a pedagogy, or a philosophy? Le Rythme, 2019, 49–59.
Juntunen, M. L., & Hyvönen, L. (2004). Embodiment in musical knowing: how body movement facilitates learning within Dalcroze Eurhythmics. British Journal of Music Education, (2)21, 199-214.
Odom, S. L. (1991). Dalcroze eurhythmics in England: history of an innovation in music & movement education. Dissertation, University of Surrey, England.
Othman, H. (2016). Methods and techniques of teaching music in colleges of education in Sudanese universities. unpublished master’s thesis, Sudan University of Science and Technology, Khartoum, Sudan.
Rizq, Y. M. (2021). An innovative method to improve the performance of rhythmic symbol in the Eurhythmic course for a student at the Faculty of Specific Education, Kafr El-Sheikh University. Journal of Specific Education and Technology, 1(8), 700-721.
Sabry, A., & Sadiq, A. (1978). Methods of teaching music. Egypt: Anglo-Egyptian Library.
Saleh, S. (2021). Utilizing Some Dalcroze Techniques Through Proposed Exercises to Improve the Performance of Female Students at the Faculty of Physical Education, Assiut University. Journal of Research in Specialized Education Fields – Faculty of Specific Education – Minia University – Egypt, 1(37), 1779-1812.
Zayed, R. (2020). Benefiting from the Dalcroze system in integrating the subjects of the Solfege, Kinetic Rhythm, and Educational Improvisation Department to increase musical achievement and prepare an integrated graduate. Journal of Music Arts and Sciences - Faculty of Music Education – Egypt , (42), 413-468.
Music-Note. (2024). In Wssential-Music-Theory. Retrieved from https://www.essential-music-theory.com/music-note.html#google_vignette
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Dirasat: Human and Social Sciences

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Accepted 2024-11-03
Published 2025-11-01


