The Arrangements of the Grave in Examples of Abbasid Poetry: a Study in Light of the Cultural Approach
DOI:
https://doi.org/10.35516/hum.v52i2.5830Keywords:
tomb, Abbasid, context, image, patterns.Abstract
Objectives: This study aims to identify individual cultural patterns of a deep-seated phenomenon that was reflected in the image of the grave central to the production of the Abbasid poet. They went on to fill it with fertile contents, behind which concealed important cognitive characteristics, with distinct verbal coins, and poetic fantasies brimming with connotations.
Methodology: The researcher used the cultural method as well as the descriptive and analytical method in order to clarify the phenomenon. After the beginning, the study was organized into two sections followed by a conclusion: The first section: the cultural patterns of the grave and its implicit function. The second topic: the linguistic and artistic forms of the image of the grave.
Results: The study showed that the Abbasid poet used the poetic phenomenon/the grave in a sophisticated artistic way, moving it away from its inherited religious context to more comprehensive, deceptive connotative contexts, with a double meaning: aesthetic and semantic. The Abbasid poets also benefited from the grave and beyond death in constructing connotative morphemes out of a desire to escape from their real torments and pains in this world and their alienation in their civilized life.
Conclusions: The research recommends that scholars in the future explore and research the image of the grave among the Abbasid poets who have not been studied, especially those who immersed themselves in The pleasures and desires of the world, as well as the consideration and interpretation of the identity of the grave and its meanings lying in the letters of Abbasid confetti.
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Accepted 2024-01-23
Published 2024-12-19
