The Extent of the Students' Response to Music Notation Programs in Computer and Music Subject in Art Schools of the Jordanian Universities

Authors

  • Mohammed Mallah Yarmouk University
  • Needal Nusirat The University of Jordan

DOI:

https://doi.org/10.35516/hum.v49i1.1681

Keywords:

Music, Computer, Software, Notation Music, College, Arts

Abstract

This study aims to reveal the extent of the music students response to the computer subject and music for musical notation programs in Arts colleges in the Jordanian University, and the study used the descriptive and analytical approach, by collecting data and information's for this topic and analyzing it. The study consisted of all students of musical arts (BA) Bachelors degree 58 males and females in the second semester of the year 2019/2020 ,and due to the great importance of linking music learning and education in modern technology. These programs are considered among the many supporting factors for education, which don't rely on traditional method of education. This study was conducted on students who are currently studying in different academic levels and from both sexes, males and females. And to achieve this goal, the study sought to answer its questions. The study reached the following conclusions: First: The extent of the applied response of music students at Yarmouk University and the University of Jordan to the computerized music notation program was high. Second: The extent of educational response of music students at Yarmouk University and the University of Jordan to the computerized Sibelius music notation program was high. Third: The extent of the cognitive response of music students at Yarmouk University and the University of Jordan to Computer and Music subject was high

Downloads

Download data is not yet available.

References

Arabic References Translated to English

Jadallah, K. (2011). “Playing piano and the level of music students’ attitudes towards it in the Department of Music Sciences at the College of Fine Arts, An-Najah National University Journal. An-Najah National University

English References

Alfred Gelles Albert, (2016). Computer Technology as a Means of Enhancing Music Composition: Problems and Prospects, Franklin Business & Law Journal, Issue 3, p114-127. p.14.

Jun, Y. (2003). “Detail to MIDI Message and Standard MIDI-File Format”, Journal of South-Central University for Nationalities (Nat.Sci.Edition), Sup.Sep, vol.22.

Morales, R. (2001). “An Interactive Music Composition System Using Body Movements”, Computer Music Journal,

Rothman, W. S. Brown, C. M. (2001). SapienzaandR.J. Morris, “Acoustic analyses of trained singers perceptually identified from speaking samples”, The Journal of Voice, 15(10), 25-35.

Rothstein, J. (1995). “MIDI: A comprehensive introduction”, Computer Music and Digital Audio Series, vol. 7, 23-27.

Yamamoto, K. and Wakiri, M. I. (2006). “A Steganography to music Code with adaptation in musical expression”, Transactions of Information Processing Society of Japan, no. 478, 2724-2732

Published

2022-08-02

How to Cite

Mallah, M. ., & Nusirat, N. . (2022). The Extent of the Students’ Response to Music Notation Programs in Computer and Music Subject in Art Schools of the Jordanian Universities. Dirasat: Human and Social Sciences, 49(1), 554–567. https://doi.org/10.35516/hum.v49i1.1681

Issue

Section

Articles