تجليات الصورة البيانية في شعر سليمان بن موسى الكلاعي الأندلسي (739ه / 1338م): دراسة تحليلية
DOI:
https://doi.org/10.35516/hum.v51i4.5158الكلمات المفتاحية:
صورة، بيان، شعر، تشبيه، استعارة، الكلاعي، أندلسيالملخص
الأهداف: يهدف هذا البحث إلى سبر الصورة البيانية في شعر أبي الربيع الكلاعي الأندلسي في محاولة لتأصيل العلاقة بينها وبين بلاغة النصوص عبر كشف العلاقات اللغوية المساهمة في إنتاجها. فللصورة أهمية بالغة في الإبانة عن الخصوصية الفنية للنصوص الشعرية، وهي تتيح تعرُّف عناصر التفرد في التجربة الإبداعية مما يعين على تقييمها.
المنهجية: يعتمد البحث على آليات الوصف والتحليل مع مقاربة المنهج الأسلوبي بغرض استنطاق بلاغة الصور، وتفسير العلاقات التي تربط بين أجزائها. وهو يعنى في قسمه الإجرائي بوسيلتين من وسائل تشكيل الصورة البيانية، وهما البنيتان التشبيهية والاستعارية، فيستطلع من ذلك نظم صوغهما وفاعليتهما والكيفية التي تتمثلها مكونات هذه البنى. وتأتي أصالة البحث من مدارسة تجربة شعرية أغفلها الباحثون؛ إذ لم يتم الالتفات إلى شعر الكلاعي لتأخر جمع نتاجه في سفر خاص.
النتائج: يظهر البحث أن تطويع الأدوات اللغوية والأساليب الفنية لسياق صور أبي الربيع أدى إلى الارتقاء ببلاغة النصوص عبر تقوية مداليلها، وإثراء جمالياتها وإغناء شعريتها.
الخلاصة: يسفر البحث عن أن أهمية صور الكلاعي البيانية لم تقف عند دورها البنائي في السياق النصي وإنما تعدته لاعتبارها عنصرًا حيويًا من عناصر التكوين الإبداعي الذي ميز تجربته الشعرية؛ إذ كانت قرينة دالة على تمكنه وإجادته في نقل مقاصده إلى المتلقي.
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التنزيلات
منشور
كيفية الاقتباس
إصدار
القسم
الرخصة
الحقوق الفكرية (c) 2024 دراسات: العلوم الإنسانية والاجتماعية

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