الصور الزمكانية والتوجه الديني والوجودي في شعر ابن حزم الأندلسي (ت 456هـ)
DOI:
https://doi.org/10.35516/Hum.2025.8100الكلمات المفتاحية:
الصورة، الزمكان، المكان، الزمان، الوجودي، الديني، الشعر، ابن حزم الأندلسيالملخص
الأهداف: ابن حزم الأندلسي عالم إسلامي موسوعي فريد من العصور الوسطى، جمع بين الأدب والفكر اللغوي والجدلي والفقه الديني. ورغم أن شهرته كفيلسوف تأتي من كتبه النثرية، فإن هذا البحث يدعو إلى ضرورة الاعتراف بأهمية شعره في الإفصاح عن تأملاته العميقة حول الهوية الإنسانية والمعنى الحقيقي للحياة. يهدف هذا البحث إلى دراسة صور ابن حزم الشعرية الزمكانية من حيث أهميتها كنموذج بديل لنثره في الكشف عن رؤاه الدينية ونظرياته الوجودية المتأثرة بالثقافة الإسلامية والفلسفة اليونانية.
المنهجية: يتناول البحث العلاقة بين الصورة والزمان والمكان اعتمادًا على التحليل الأسلوبي والنقد الثقافي، بهدف الكشف عن عقيدة الشاعر.
النتائج: يظهر البحث أن صور ابن حزم الشعرية الزمكانية تناولت معتقداته الفلسفية الوجودية وقيمه الدينية والثقافية الإسلامية في ارتباطها بحياة الإنسان وموته وثباته وتحوله ورحلته وإقامته، مما يساعد على إعادة تقييم تأثره بالفكر اليوناني.
الخلاصة: خلص البحث إلى أن صور ابن حزم الزمكانية الشعرية عكست على نحو عميق نظريات ابن حزم الوجودية التي تأثرت في سياقها بالفلسفة اليونانية بما لا يتعارض مع القيم الأساسية للدين الإسلامي.
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التنزيلات
منشور
كيفية الاقتباس
إصدار
القسم
الرخصة
الحقوق الفكرية (c) 2025 دراسات: العلوم الإنسانية والاجتماعية

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