التشكيل التصويري البصري المكاني في شعر أبي الصلت، أمية بن عبد العزيز الداني الأندلسي (539ه/ 1134م)

Rawan  Sukkar

doi:10.35516/hum.v51i6.5394

Authors

Rawan Sukkar Department of Arabic Language، College of Arts and Humanities, Damascus University, Damascus, Syria https://orcid.org/0000-0003-1905-7878

DOI:

https://doi.org/10.35516/hum.v51i6.5394

Keywords:

Formation, pictorial, visual, spatial, poetry, Abo Al-Salt, Umayyah, Andalusi

Abstract

Objective: This research aims to examine the visual spatial image in the poetry of Umayyah bin Abdulaziz Al-Andalusi, by examining the effectiveness of the artistic formations employed by the poet to draw the kinetic, formal, chromatic, and light dimensions. The visual image and the place communicate with the essence of the literary work, hence the importance of looking at what is rooted in Abi al-Salt's poetry in terms of recalling the place through the artistic image that is processed visually.

Methods: The research uses the stylistic approach that confronts the texts at their linguistic, rhetorical, and phonetic levels. This is for the purpose of discovering the artistic relationships that tighten the bonds of visual spatial imaging in the poetry of Abi Al-Salt Al-Dani, with an indication of its artistic and expressive values, and to clarify its impact on the structure of the context.

Results: The research shows that the visual spatial images gave the context a dynamism that was deepened by the poet's use of language gestures, which is what tightly linked the structures and established the foundations for their remarkable expressive effect. Therefore, its role was structural, and its presence was central, which made it a fundamental contribution to the condensation of connotations.

Conclusions: The research results in that the poet presented the place through visual images, employing its dimensions to project his subjective visions, referring them to basic directives to generate meanings, enrich semantics, and influence the recipient, which revealed a high level of linguistic and rhetorical proficiency.

Downloads

Download data is not yet available.

References

Al-Alawi, I. (1977). The Caliber of Poetry. (Investigation Abbas Abdel Sattar). Beirut: Dar Al-Kutub Al-Alami.

Al-Basir, A. (1987). Building the artistic image in the Arabic statement. Iraq: Iraqi Scientific Society Press.

Al-Batal, A. (1980). The image in Arabic poetry until the end of the second century AH Beirut: Dar Al-Andalus

Al-Dani, A. (deceased: 529 AH 1134 AD) (1974). Diwan al-Hakim Abi al-Salt, Umayyah ibn Abd al-Aziz al-Dani. (Investigation Muhammad al-Marzouki). Tunisia: Dar al-Kutub al-Sharqiya.

Al-Ghadami, A. (2001). Cultural Criticism - A Reading in Arab Cultural Forms. Benghreb: The Arab Cultural Center.

Ali, A. (2006). The philosopher, poet, Abu al-Salt, Umayyah ibn Abd al-Aziz al-Andalusi, Journal of the Informer, Research in Algerian Language and Literature, Department of Arabic Literature, University of Muhammad Kheidar, Biskra, Issue 3.

Al-Isfahani, I. (deceased 597 AH 1201 AD). (1951). Palace scrap. (Investigation Ahmed Amin). Shawqi Dhaif, and Ihsan Abbas, Cairo: Authorship, Translation and Publishing Committee.

Al-Jurjani, A. (deceased 471 AH 1078 AD). (2009). Evidence of Miracles. (Investigation Mahmoud Mohamed Shaker). Cairo: Al-Madani Press.

Al-Muqri, A. (Deceased: 1041 AH 1631 AD). (1988). Bringing his good branch of Al-Andalus Alrtaib. (Investigation Ihsan Abbas). Beirut: Dar Sader

Al-Obeidi, H. (1978). Place theory in the philosophy of Ibn Sina. Egypt: General Cultural Affairs House.

Al-Qartajni, A. (T: 684 AH). (2007). Minhaj al-Balgha wa Siraj al-Adaba. (Investigation Muhammad al-Habib ibn al-Khawja). Beirut: Dar al-Gharb al-Islami.

Al-Qat, A. (1978). The Sentimental Trend in Contemporary Arabic Poetry. Beirut: Dar Al-Nahda Al-Arabiya for Printing, Publishing and Distribution.

Aristotle. (1977). The Art of Poetry. (Translated by Ibrahim Hamadeh). Cairo: Anglo-Egyptian Library.

As-Safrani, M. (2008). Visual formation in modern poetry. Casablanca: The Literary Club in Riyadh and the Arab Cultural Center.

Al-Sayyid, S. (2007). Reading poetry and building semantics. Cairo: Dar Al-Gharib for printing and publishing.

Asfour, J. (1993). The artistic image in the critical and rhetorical heritage of the Arabs. Beirut: Dar al-Tanweer.

Al-Shoufi, N. (1995). Umayyah Abu al-Salt ibn Abd al-Aziz al-Dani al-Andalusi. Journal of Arab Heritage, Volume 15, Number 60.

Bachelard, G. (1980). Aesthetics of the place. (Translated by Ghaleb Halasa). Baghdad: Ministry of Culture and Information, Dar Al-Hurriya for Printing.

Ben Khalifa, M. (1995). The Modern Poem in Contemporary Arab Criticism. Egypt: The Egyptian General Book Organization.

Bora, S. M. (1986). The Creative Experience, translated by: Sulafa Hijjawi. Baghdad: House of General Cultural Affairs.

Bougardoun, I. (2014). Sources and types of poetic image in the Diwan of Umayyah Abd al-Aziz al-Dani, Al-Hikma. Journal for Literary and Linguistic Studies, Volume 2, Issue 3, pp. 178-193.

Cork, J. (1989). Language in Modern Literature - Modernity and Experimentation. (Translated by Leon Youssef and Aziz Emanuel). Baghdad: Dar Al-Ma'moun for Translation and Publishing.

Dahina, I. (2013). The poetic image and its aesthetics in the poetry of Abi al-Salt Umayyah bin Abdul Aziz al-Andalusi. Biskra: Mohamed Kheidar University.

Day-Lewis, C. (1982). The Poetic Image. (Translated by Ahmed Nassif Al-Janabi). Malik Miri and Salman Hassan Ibrahim, Ghaddar: Dar Al-Rasheed for Publishing.

Eagleton, T. (2005). Criticism and ideology, translated by: Fakhry Saleh. Cairo: The Supreme Council of Culture.

Hilal, M. (1976). Studies and models in the doctrines and criticism of poetry. Cairo: Dar Nahdat Misr.

Ibn Fares, A. (1979). Language Standards, investigation: Abd al-Salam Haroun. Cairo: Dar al-Fikr.

Ibn Manzoor, M. (deceased: 711 AH 1311 AD). (2020). Lisan Al-Arab. Beirut: Dar Sader.

Ismail, I. (1974). Aesthetic foundations in Arabic criticism. Beirut: Dar Al-Fikr Al-Arabi.

Ismail, I. (1981). Contemporary Arabic Poetry. Beirut: Dar Al-Awda.

Jassem, A and Tawfiq, M. (2009). The effectiveness of the place in the poetic image; Al-Mutanabi swords as a model. Diyala Journal, Issue forty

Karaj, J. (2004). Introduction to poetry. Iraq: House of Cultural Affairs.

Karam, Y. (2020). History of Modern Philosophy. Beirut: Dar Al-Qalam.

Lotman, Y. (1986). Technical location problem. (Translated by Siza Kassem). Alif Baa Magazine, Issue 6.

Muslim, T. (2002). The genius of the picture and the place. Amman: Dar Al-Shorouq for publication and distribution.

Nofal, Y. (1995). The poetic image and the color symbol. Cairo: Dar al-Ma'rifah.

Ponty, M. (1987). The Visible and the Invisible. (Translated by Suad Muhammad Khader). Revised by: Nicholas Dagher, Baghdad: General Cultural Affairs House.

Qawza, N. (2000). Metaphorical formation in rhetoric and criticism. Jordan: Ministry of Culture.

Quinn, J. (2000). The Higher Language - Poetic Theory. (Translated and Presented and Commented by Ahmed Darwish). Cairo: The Supreme Council of Culture.

Radi, M. (2004). The Art of Light. Cairo: Color Factories Association.

Said, K. (2018). Creativity movement. Beirut: Dar Al-Fikr.

Ullmann, S. (1997). The role of the word in the language. (Translated by Kamal Muhammad Beshr). Cairo: Dar Gharib for printing and publishing.

Wahba, M. (2007). Philosophical Lexicon. Cairo: Dar Quba Modern.